♥ Book Title : The Floating Opera and The End of the Road
☯ Full Synopsis : "Tells the stories of a man's struggle with the idea of suicide and of a bed-hopping threesome brought together by a strange doctor-psychiatrist-mentor"Article| John Barth| Statement ..."
✩ The Floating Opera And The End Of The Road ✩
Top results of your surfing
✪ The Floating Opera And The End Of The Road ✪ Start Download Portable Document Format (PDF) and E-books (Electronic Books) Free Online Rating News 2016/2017 is books that can provide inspiration, insight, knowledge to the reader.
♥ Book Title : Passionate Virtuosity
☯ Full Synopsis : ""Article| Charles B. Harris| Statement ..."
♥ Book Title : Fictions of Fact and Value
☯ Full Synopsis : "Fictions of Fact and Value argues that the philosophy of logical positivism, considered the antithesis of literary postmodernism, exerts a determining influence on the development of American fiction in the three decades following 1945, in what amounts to a constitutive encounter between literature and philosophy at mid-century: after the end of modernism, as it was traditionally conceived, but prior to the rise of postmodernism, as it came to be known. Two particular postwar literary preoccupations derive from logical positivist philosophy: the fact/value problem and the correlative distinction between sense and nonsense. Even as postwar writers responded to logical positivism as a threat to the imagination, their works often manifest its influence, specifically with regard to "emotive" or "meaningless" terms. Far from a straightforward history of ideas, Fictions of Fact and Value charts a genealogy that is often erased in the very texts where it registers and disowned by the very authors that it includes. LeMahieu complicates a predominant narrative of intellectual history in which a liberating postmodernism triumphs over a reactionary positivism by historicizing the literary response to positivism in works by John Barth, Saul Bellow, Don DeLillo, Iris Murdoch, Flannery O'Connor, Thomas Pynchon, and Ludwig Wittgenstein. As LeMahieu compelling demonstrates, the centrality of the fact/value problem to both positivism and postmodernism demands a rethinking of postwar literary history. A trenchantly argued study that unearths an important part of postwar literary history, Fictions of Fact and Value will interest anyone concerned with postmodernism, modernist studies, analytic philosophy, or the history of ideas."Article| Michael LeMahieu| Statement ..."
♥ Book Title : The Cambridge History of American Literature: Volume 7, Prose Writing, 1940-1990
☯ Full Synopsis : "Discusses the social, cultural, intellectual, and aesthetic aspects of American literature"Article| Sacvan Bercovitch, Cyrus R. K. Patell| Statement ..."
♥ Book Title : Romantic Postmodernism in American Fiction
☯ Full Synopsis : "Intended for teachers and students of American Literature, this book is the first comprehensive analysis of romantic tendencies in postmodernist American fiction.The book challenges the opinion expressed in the Columbia History of the American Novel(1991) and propagated by many influential scholars that the mainstream of postmodernist fiction is represented by the disjunctive and nihilistic work of such writers as Kathy Acker, Donald Barthelme, and Robert Coover. Professor Alsen disagrees. He contends that this kind of fiction is not read and taught much outside an isolated but powerful circle in the academic community.It is the two-part thesis of Professor Alsen's book that the mainstream of postmodernist fiction consists of the widely read work of the Nobel Prize laureates Saul Bellow and Toni Morrison and other similar writers and that this mainstream fiction is essentially romantic.To support his argument, Professor Alsen analyzes representative novels by Saul Bellow, J.D. Salinger, Norman Mailer, Flannery O'Connor, John Updike, Kurt Vonnegut, Philip Roth, Thomas Pynchon, Toni Morrison, the later John Barth, Alice Walker, William Kennedy, and Paul Auster. Professor Alsen demonstrates that the traits which distinguish the fiction of the romantic postmodernists from the fiction of their disunctive and nihilist colleagues include a vision of life that is a form of philosophical idealism, an organic view of art, modes of storytelling that are reminiscent of the nineteenth-century romance, and such themes as the nature of sin or evil, the negative effects of technology on the soul, and the quest for transcendence."Article| Eberhard Alsen| Statement ..."
♥ Book Title : The Philosophical Reflection of Man in Literature
☯ Full Synopsis : ""Article| Anna-Teresa Tymieniecka| Statement ..."
♥ Book Title : A Critical Study of the Texture Variants in John Barth's Novels
☯ Full Synopsis : ""Article| | Statement ..."
♥ Book Title : John Barth's Initial Trilogy
☯ Full Synopsis : ""Article| Philip Allan Billings| Statement ..."
♥ Book Title : The End of the Road
☯ Full Synopsis : "As young Jake Horner's mind became an increasingly paralyzing cobweb of dark thoughts, he turned for help to an extraordinary doctor--part saint, part evil-genius, a weird combination of faith healer, magician, and devil. And in so doing Jake found himself following a drastic prescription that was to draw him into a strange, compulsive relationship. It is around the startling results of Jake Horner's "cure" and its amazing mastermind--a doctor almost surely designed to become one of the most remarkable characters in modern fiction--that this brilliant, imaginative novel hinges. John Barth is a young writer of unusual talent whose uncanny insight into the dark mazes of the human mind has given The End of the Road a haunting and troubling reality."Article| John Barth| Statement ..."
♥ Book Title : A Reader's Companion to the Short Story in English
☯ Full Synopsis : "Although the short story has existed in various forms for centuries, it has particularly flourished during the last hundred years. Reader's Companion to the Short Story in English includes alphabetically-arranged entries for 50 English-language short story writers from around the world. Most of these writers have been active since 1960, and they reflect a wide range of experiences and perspectives in their works. Each entry is written by an expert contributor and includes biography, a review of existing criticism, a lengthier analysis of specific works, and a selected bibliography of primary and secondary sources. The volume begins with a detailed introduction to the short story genre and concludes with an annotated bibliography of major works on short story theory."Article| Erin Fallon, R.C. Feddersen, James Kurtzleben, Maurice A. Lee, Susan Rochette-Crawley| Statement ..."
♥ Book Title : John Barth (Routledge Revivals)
☯ Full Synopsis : "John Barth represents most completely what has been termed postmodernism, not because his work comprises more postmodernist features than other contemporary writers but because, for Barth, "life" and "art" are two sides of the same coin. In this brief study, first published in 1987, Heide Ziegler examines all Barth’s novels. She argues that each pair of novels first "exhausts" and then "replenishes" those literary genres that hinge on a particular world view: the existentialist novel, the Bildungsroman, the Kunstlerroman, or the realistic novel. Through the division of labour between character and author Barth manages to develop a new mode of literary parody which projects itself beyond the mocked literary model and even self-parody into the realm of future fiction. This book is ideal for students of literature and postmodern studies."Article| Heide Ziegler| Statement ..."
♥ Book Title : Mutual Impressions
☯ Full Synopsis : "I South reading North -- II North reading South."Article| Ilan Stavans| Statement ..."
♥ Book Title : No Less a Man
☯ Full Synopsis : "Robert B. Parker's detective Spenser. John Rambo, created by David Morrell and played on the silver screen by Sylvester Stallone. Bruce Springsteen. All three, Douglas Robinson claims, are central figures in a new form of popular men’s art: art that explores what it means to be a man in a feminist age. Robinson develops a three-stage transformation myth out of Joseph Campbell’s studies of hero mythology: the road of trials, on which repressive “normality” is tested and found lacking (Spenser); a symbolic death in which defensive rational ego-structures are surrendered (the Rambo of First Blood); and regeneration and return, the gradual rebirth of masculinity in a redemptive transformation (Springsteen)."Article| Douglas Robinson| Statement ..."